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This piece is beautifully done. The way Hamdan turned "Selamnesh" into an actual bridge between two displacement stories rather than just using it as exotic flavor is rare. I remeber working on a project that tried blending traditional sounds and we kept falling into that tourist trap thing where everything felt ornamental. What really gets me is how he composed this while Beirut was collapsing around him in Dec 2021, that tension between creating somethign about peace when everything's chaotic prolly seeped into the score itself.

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