nuriveben | Innocent Fallacy
Turkish-born London producer Nuri Özlü crafted a 7-minute ambient meditation during the first pandemic lockdown in July 2020, breaking down innocent fallacies through organic electronics.
Story Behind “Innocent Fallacy”
The July 2020 Lockdown Session
“Innocent Fallacy” arrived on July 16, 2020, during one of the strangest moments in modern music history. While most of the world was locked down, London-based Turkish producer Nuri Özlü was recording and producing under his nuriveben persona, creating music that captured the isolation and introspection of those early pandemic months. The track’s sparse, haunting quality wasn’t just aesthetic—it reflected the reality of making music while the world stood still.
The lyrics, minimal as they are, carry weight: “I am growing inner melodies (to) break down some innocent fallacies / never crawling back in remedies / never churn never hurt never burn!” These aren’t just words—they’re a manifesto for self-examination during forced pause. Where some artists responded to lockdown with frenetic energy, nuriveben went inward, crafting a 7-minute meditation on the “innocent fallacies” we tell ourselves.
From Istanbul to London’s Electronic Underground
Nuriveben is the stage persona of Nuri Özlü, a Turkey-born, London-based multi-instrumentalist producer who operates outside the mainstream electronic music narrative. His approach blends organic instrumentation with electronic production, creating what he describes as “melancholic, ambient, yet danceable” music. This isn’t EDM or club music—it’s something more intimate, designed for headphones and late-night contemplation rather than festival stages.
By July 2020, nuriveben had established a modest but devoted following through Bandcamp and streaming platforms. “Innocent Fallacy” represented a turning point—a single that would introduce his sound to listeners searching for something genuine during the pandemic’s first summer. The track found its audience not through algorithms or playlist placements, but through word-of-mouth discovery among listeners craving authenticity over production polish.
“Innocent Fallacy” Recording and Production Details
The nuriveben-Doctor Mix Collaboration
“Innocent Fallacy” was recorded and produced entirely by nuriveben himself, then mixed and mastered at Doctor Mix studios in London. This production partnership proved essential to the track’s success. Doctor Mix, founded in 2006 by Claudio Passavanti, is a Central London facility known for blending vintage analog equipment with modern digital techniques. Their roster includes boutique gear like the Thermionic Culture Fat Bustard, Shadow Hills Mastering Compressor, and Neve and SSL compressors—exactly the kind of equipment that can add warmth and depth to electronic productions.
The collaboration allowed nuriveben to maintain his organic, lo-fi production aesthetic while achieving the sonic clarity needed for streaming platforms. Doctor Mix’s approach—using analog gear to add character while preserving the artist’s vision—meant “Innocent Fallacy” retained its intimate, bedroom-producer feel while sounding professional enough to compete with commercial releases.
Organic Electronics and Mid-Tempo Meditation
At 7 minutes and 6 seconds, “Innocent Fallacy” operates at 90 BPM in the key of C minor—a tempo and tonality that creates space for contemplation rather than movement. This is deliberate: nuriveben’s music experiments with “modern classical, ambient and sometimes jazzy elements” combined with “mid-low tempo electronic dance beats.” The result is music that’s technically electronic but feels handmade, technically danceable but better suited for introspection.
The production emphasizes texture over hooks. Rather than building to predictable drops or climaxes, the track unfolds gradually, allowing sonic elements to breathe and evolve. This approach reflects nuriveben’s multi-instrumentalist background—the sense that real instruments and electronic sounds coexist naturally, neither dominating the other. During a period when many producers were experimenting with bedroom production out of necessity, nuriveben was already there, having built his sound around exactly this aesthetic.
Notes About “Innocent Fallacy” by nuriveben
Release Date: July 16, 2020 (Bandcamp), July 13, 2020 (streaming platforms)
Duration: 7:06
Genre: Electronica / Ambient / Downtempo / Electronic
Single Release: Standalone single (not part of an album)
Producer: nuriveben (Nuri Özlü)
Mixed and Mastered: Doctor Mix studios, London (Claudio Passavanti)
Label: Self-released via Record Union
Tempo: 90 BPM
Catalog Number: RU239260
Streaming: Available on Spotify, Apple Music, Bandcamp, SoundCloud, Beatport
nuriveben “Innocent Fallacy” Era Artist Details
Artist Background
Real Name: Nuri Özlü
Stage Name: nuriveben
Origin: Turkey
Based: London, United Kingdom
Instruments: Multi-instrumentalist, producer
Musical Approach: Genre-bending experiments with modern classical, ambient, and jazz elements combined with mid-low tempo electronic dance beats
Aesthetic: Organic, melancholic, ambient, yet danceable
Distribution Model: Self-released via Bandcamp and Record Union with accessible pricing
Production Credits
Composition and Performance: nuriveben
Recording and Production: nuriveben
Mixing and Mastering: Doctor Mix studios (Claudio Passavanti)
Engineering: Doctor Mix team, Central London
Studio Equipment: Vintage analog gear combined with digital production (Thermionic Culture Fat Bustard, Shadow Hills Mastering Compressor, Neve and SSL compressors)
Career Context (2020-2022)
“Innocent Fallacy” released July 2020 during first pandemic lockdown
Followed by “Orenda” single (April 2021)
“Injuries” single (2021)
“all there is to be ashamed of” single (2021)
“Whomanity” single featuring Jamell Rene (May 2022, produced by Özgür Arslan, engineered by Cem Tuncer)
“Indistinct Chatter” single (October 2022)
All releases maintain consistent aesthetic: introspective, organic electronics
Built following through Bandcamp’s independent artist community
Currently active with 15.5K monthly Spotify listeners
Interesting Facts About “Innocent Fallacy”
The Pandemic’s First Ambient Meditation
“Innocent Fallacy” belongs to a specific moment in music history—those early pandemic months when artists worldwide were creating lockdown music. But where many tracks from that period felt rushed or reactive, “Innocent Fallacy” sounds timeless. Released just four months into the pandemic, it captured a mood that would define the entire era: isolation mixed with introspection, forced pause leading to uncomfortable self-examination.
The track’s 7-minute runtime was unusual for a single in 2020, when streaming platforms favored sub-3-minute songs optimized for playlist retention. But nuriveben wasn’t making music for algorithms. The extended duration allows the track to function more like meditation than entertainment—you can’t casually skip through a 7-minute ambient piece. You either commit to the experience or move on. This approach found an audience among listeners exhausted by bite-sized content, seeking music that demanded attention rather than serving as background.
The Doctor Mix Connection and DIY Philosophy
nuriveben’s decision to work with Doctor Mix studios represents the modern independent artist’s reality. Rather than signing with labels or paying for expensive studio time, he recorded and produced everything himself, then brought the finished tracks to Doctor Mix for professional mixing and mastering. This hybrid approach—DIY production with professional finishing—has become the standard for independent electronic producers, allowing them to maintain creative control while achieving commercial sound quality.
Doctor Mix, founded in 2006 by Italian-British producer Claudio Passavanti, became one of the first fully online mixing and mastering services. By 2020, they had established themselves as a go-to facility for independent artists seeking analog warmth without analog budgets. Their work on “Innocent Fallacy” demonstrates how modern production can bridge bedroom aesthetics with professional polish—the track retains its intimate, handmade quality while sounding refined enough to sit alongside major-label releases on streaming platforms.
Common Questions
Q: What does “Innocent Fallacy” by nuriveben mean? A: The lyrics suggest breaking down false beliefs or self-deceptions (”innocent fallacies”) through internal growth (”growing inner melodies”). The track explores self-examination and personal transformation, with the repeated phrase “never churn never hurt never burn” implying rejection of destructive patterns. Released during the 2020 pandemic lockdown, it captured the forced introspection of that period.
Q: Who is nuriveben? A: nuriveben is the stage persona of Nuri Özlü, a Turkish-born, London-based multi-instrumentalist and producer. His music blends organic instrumentation with electronic production, creating melancholic, ambient soundscapes with mid-tempo electronic beats. He self-releases music through platforms like Bandcamp and Record Union, maintaining direct connection with listeners.
Q: How long is “Innocent Fallacy”? A: “Innocent Fallacy” runs 7 minutes and 6 seconds at 90 BPM in C minor. The extended runtime allows the track to function as a meditation rather than a conventional single, reflecting nuriveben’s approach to creating music that demands attention rather than serving as background listening.
Q: Where was “Innocent Fallacy” recorded? A: The track was recorded and produced by nuriveben in London, then mixed and mastered at Doctor Mix studios in Central London. Doctor Mix, founded by Claudio Passavanti, uses a combination of vintage analog gear and modern digital techniques, providing professional finishing while preserving the artist’s intimate production aesthetic.
Q: What genre is nuriveben’s music? A: nuriveben’s music spans electronica, ambient, and downtempo, with influences from modern classical, jazz, and electronic dance music. He describes his approach as “genre-bending experiments” that are “organic, melancholic, ambient, yet danceable,” creating music that operates between multiple categories rather than fitting neatly into one.